The work of Portishead co-founder the musician-producer, this sharp-edged if undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (the actor) initially steals from an passed-out supplier, then in another flashback tries to break into his own family home. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the rave-era youth were primarily out for number one – is firmly made. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, enraged after David kills his dog. Still, a grimly amusing duel takes hold – David eager to get away; the Woodsman withholding his jerrycan of cider, determined to soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Sensibility
Just a single important plot development, but it results in a hilariously staged chaotic run on the forest trails that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the early stages, he now goes all out with the full lysergic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
Game releases in British and Irish cinemas from 17 November.
